Statement on the Visual Novel Translations on Petals’ Garden

The partnership between MangaGamer and St. Michael Girls’ School represents a significant step forward in the business plan of St. Michael Girls’ School. In light of this, I have deemed it necessary to make significant changes to the administration of Petals’ Garden. Effective immediately, Petals’ Garden will no longer host content of questionable legality and will take greater measures to respect the copyrights of Fuguriya, Yurin Yurin, and St. Michael Girls’ School. Only the visual novel translations are affected as they contained images and code copyrighted by at least one of those companies. The light novel translations contain cover images freely available on Fuguriya’s website and entirely original text. The web page and video content are labeled free to redistribute. Other parties may continue translations of the visual novels, but they will not be endorsed by Petals’ Garden.

Update 10 July 2015:¬†Petals’ Garden will also no longer support the translations on Yuri Project, but the translations posted there remain the property of their authors and can be continued at their discretion.

The goal of the visual novel translations was to raise awareness of the series as a whole and demonstrate interest in official Western releases. The partnership between St. Michael Girls’ School and a major Western publisher of visual novels signifies that they have succeeded. However, Petals’ Garden was created strictly to promote A Kiss For The Petals, and the responsibility of visual novel translation and distribution now belongs to MangaGamer, the official partner of St. Michael Girls’ School. As I have written in the past, the creators of A Kiss For The Petals have been aware of the fan translation efforts since their inception, but such efforts are now subject to greater scrutiny by all companies involved. For the reasons above, there is no longer any legal justification to continue to distribute them. I apologize for any inconvenience this causes, but as Petals’ Garden is recognized as a major English news source for A Kiss For The Petals developments, this change is necessary to ensure that the partnership will be a success and maximize the chances of future English licenses. I thank you for your understanding of this decision in this crucial time for these two companies.

Anonymous asks: Why do you love pantyhose so much?

Ask me a question at ask.fm

This was a surprisingly difficult question for me to answer directly. The following is the most comprehensive answer I can provide at the moment, and I will expand on it in the future for those interested.

It is an augment for a natural attraction to female legs. The skin-tight fabric that constitutes tights and pantyhose changes the appearance of the lower body significantly. The complete coverage waist to toe makes for a kind of perfection–a completion–that is not intended with stockings. While much has been discussed about the zettai ryouiki phenomenon, it is directly at odds with my own preferences. Stockings and thigh-high socks leave the thighs exposed, whereas tights cover the thighs and allow them to enjoy the same benefits as the rest of the leg. In the rare occasion that the waist and hips are exposed as well, the effect is even greater, as the border between the waistband and the exposed upper body can create an effect I would venture is similar to the zettai ryouiki. I am averse to patterns, fishnets, and damage to the fabric, as the perfection is lost with even the smallest aberration in the fabric.

The color and denier (thread density) can create a wide range of effects that other garments cannot, all of which heighten the femininity of the curves of the legs–in particular, the color gradient (preferably not skin tone), reflectivity, and the ability of the tights to cover imperfections in the skin. Examples include white tights creating an image of purity, opaque black tights showing the wearer as proper and formal, and other colors having all manner of other effects depending on color warmth, none of which are possible to the same extent with bare legs or partial coverings. In addition, I use the term “tights” as it specifically¬†refers to opaque fabrics and deliberate colros, while “pantyhose” most often refers to sheer fabrics close to skin tone. However, black and brown pantyhose that results in dark colors dissimilar from the natural color of the legs are equivalent to tights for the above purposes.

All of this being said, it is the feet that are affected greatest by the wearing of tights and pantyhose. While the foot fetish is the most common worldwide, I have a particular fondness for feet in tights, pantyhose, and similar coverings, and do not care for bare feet except in allegorical contexts. All of the above applies doubly for the feet. It is uncommon to see characters wear tights or pantyhose without shoes, but these cases are the most ideal in showcasing the above points. Depending on the position and prominence of the feet in the image, they can have highly contrasting imagery. When visible and not the focus of the image, tights-covered feet can imply innocence, but when they are presented forward with the sole, they paint the subject as aggressive or seductive. While bare feet do the same, the covering from tights largely eliminates sanitary concerns.

In addition, it is becoming increasingly common for animated works to feature ensembles with at least one character in tights. In animated works, skin-tight coverings of different material can appear to be the same depending on their opacity and how they are depicted to reflect light. However, if it is clear that the material is not nylon or anything similar to real world materials used in the manufacturer of tights and pantyhose, the effect is greatly lessened.